Friday 22 December 2017

Merry Christmas & a blissful New Year

At this time of the year I always like to reflect on the things I've done and experienced during the year. While looking back I realise how quickly this year has flown by and how amazing it was. It was filled with beautiful trips and inspirational and creative events! You can read more about that in my latest newsletter.

I would like to thank you for supporting me by following this blog, giving me commissions, participating in my workshops, collaborating with me, teaching me new skills and encouraging me in my artistic journey.

Merry Christmas and a blissful New Year!

Wednesday 20 December 2017

Artistic Explorations: Visual Poetry (1)

My collaboration with writer and artist Elaine Reid recently resulted in co-facilitating a Visual Poetry workshop, as part of the Barn's community year-long project Flourish that she is leading. In the run up to the workshop we got together in my studio to go through the steps ourselves and create a few visual poems. Elaine already had experience with found poetry and making zentangle drawings around it but I hadn't. We would offer the participants a wide array of art materials to play with and before we could do that, we actually had to find out what would work best.

We copied a few pages of an old book onto heavy-weight mixed media paper, skim read the text without actually reading the content and circling the words that popped out.


Example of text for visual poem

We then worked with gesso (to push back the text that we didn't want to keep) and added acrylics, coloured pens, stencilling, stamping and collage material for the visual element of our found poem. I thoroughly enjoyed the experimental and subconscious process of it all!

Here are the visual poems I made in preparation for the workshop.


Visual poem with stencilling

Visual poem with collage


Visual poem with stamping and drawing

During the first half of the day, which was led by Elaine, they focussed on found poetry; skim reading, circling and trying to connect words and phrases in pencil.


Participants at work in the gallery of the Barn


Participants at work in the gallery of the Barn ©Elaine Reid 2017


Found poetry in action

Everyone would get three different pages and in just half an hour's time, the group created so many different poems from sometimes the exact same text!

The second half was led by me. We first showed them samples of our work so that they could get an idea what can be achieved.

Examples of our visual poems ©Elaine Reid 2017

Once I explained and showed them what you can do with the various art material I had brought along, it was time to play!

I brought a selection of art materials they could use


Using gesso and collage ©Elaine Reid 2017


Using a stencil to draw a shapes ©Elaine Reid 2017


Using various papers as collage ©Elaine Reid 2017


The page is now totally transformed into a visual poem ©Elaine Reid


One of the participants using pen and collage to erase text ©Elaine Reid 2017


This workshop was part of the community project Flourish ©Elaine Reid 2017


One of the visual poems a participant created ©Elaine Reid 2017


Another example of a visual poem created by a participant

Reading and hearing the feedback from all the participants afterwards I can say it was a huge success! Hopefully we can do it again next year. From 5-18 March 2018, these poems and many more will be displayed during a two-week Flourish exhibition.

Friday 15 December 2017

Artistic Explorations: Artists' Books and Book Objects (2)

In March I wrote about my first attempt to create an artists' book (see article). This inspired me to make many more but due to various other art projects, commissions and applications, it only stayed as concepts in my mind. Until now!

While browsing through my materials, I noticed one of my large prints would be suitable to create a flutter book from.

Ecotone (copper); drypoint with embossing and rubbing
with Artist Paintstik (copper) and conté crayon

After studying this book format and deciding where the cuts should be, I first made a sample out of cartridge paper, just to make sure it was all correct!

Then I selected the section I wanted, pencilled my measurements onto the print and cut it out with a scalpel knife. The paper was folded and some folds were partly slit to create an accordion. The back side was blank so I added pages by cutting out double spread sections. These were then handstitched with a pamphlet stitch to the flutter book by using copper metallic thread.


"Trees in a box", artists' book and box

"Trees in a box", artists' book and box


"Trees in a box", artists' book and box

"Trees in a box", close-up of a few pages from artists' book


"Trees in a box", close-up of a few pages from artists' book


"Trees in a box", close-up of page from artists' book


"Trees in a box", close-up of page from artists' book


"Trees in a box", front of artists' book


"Trees in a box", spine of artists' book (with handstitching)

I also made a box for this book out of cardboard and other parts of my original print. The box measures 11.5 x 8 x 3 cm.


Handmade box for artists' book "Trees in a box",
11.5 x 8.5 x 3 cm

Handmade box for artists' book "Trees in a box",
11.5 x 8.5 x 3 cm


Handmade box for artists' book "Trees in a box",
11.5 x 8.5 x 3 cm


Handmade box for artists' book "Trees in a box",
11.5 x 8.5 x 3 cm

Next year I hope to do an art residency to create more artists' books and book objects. I'll keep you informed if there is any news about that. In the meantime, I will be experimenting with this medium in my studio and see what else I can come up with.