Showing posts with label Ullapool. Show all posts
Showing posts with label Ullapool. Show all posts

Wednesday, 20 July 2016

Artistic Explorations: Assemblage (1)

I'm just back from a very inspiring and creative week at Bridge House Art in Ullapool where I did the Alchemy course with Eleanor White. Last year was my first time (see my blog post here) and I enjoyed it so much that I wanted to come back again, this time to do something with Eleanor herself. She is an amazing art tutor with boundless energy and her expertise on any art medium is second to none.

Alchemy is the process of transforming the ordinary into the extra-ordinary. The first three days we mainly experimented with the deconstructing process; altering the surface of various materials like paper, fabric, cardboard and old photo film by using techniques such as dying, frottage (= rubbing), tearing, piercing, folding, stitching and spraying. These samples were then used as reference for our main project we worked on for the last two days of the course.

One of my frottage samples on magazine paper
©Fenfolio2016


Buckets of dye with folded papers ©Fenfolio2016

Eleanor giving a demo blotting the dyed paper ©Fenfolio2016

The studio with our experimentations ©Fenfolio2016

Before we started our personal project we went on our treasure hunt picking up any object that took our interest by beachcombing or walking in the forest along the river at the back of her studio. We then laid out our collection of metal, ceramics, glass, wood, seaweed, shells, leaves etc. on the table. Now the hardest part of the process started; selecting your materials, deconstructing them and constructing them with any other materials to create an extra-ordinary abstract artwork!


A collection of found materials from one of the participants ©Fenfolio2016

Luckily Eleanor also had a collection of found objects we were able to use. My eye fell on one of the old wooden fish boxes, originally from Aberdeen. I had to carefully deconstruct it not to damage the the part I wanted to have and the rest of the wood. I brought some scraps of fabric with me from home and thought the colour and texture of the hessian would work really well with the wooden plank. My piece was too small for what I had in mind but Eleanor had plenty I could use! The cardboard would also fit very well because of the corrugated texture and the ease I could manipulate it.

As my plank read "Aberdeen Inshore" I wanted to compose my piece in such a way that the textures, shapes and lines would reflect the ones found in and along the shore. 

The lower part of the plank was sanded and then painted in diluted white acrylics following the grain of the wood to represent the undulating landscape inland. I replaced some of the rusted nails and bended them to make hooks. I cut three strips of hessian and then distressed each panel by pulling, tearing and some cutting. They were then painted in a thin and later a thicker layer of white acrylics. 
The cardboard was treated in the same way. Once I decided the composition was right I stitched the cardboard pieces onto the hessian panels with a hessian thread (bigger needle opening needed and waxing the end of the thread was very useful!). The lower part of the hessian was then wrapped around the cardboard, cut to length and stitched too. The second part of the hessian was stitched to the back of the cardboard to create a continuous panel.
Finally I made some rope from a few hessian threads to hang the piece on the plank.


Assemblage "Aberdeen Inshore" ©Fenfolio2016

Close-up wooden plank ©Fenfolio2016

Close-up textures hessian and cardboard ©Fenfolio2016

Close-up textures hessian and cardboard ©Fenfolio2016


Close-up textures hessian and cardboard ©Fenfolio2016

I'm not sure whether it's finished yet because I feel it's lacking some impact against a white wall. I consider adding a narrow strip in a 3D shape (representing waves) made from cardboard on the top and bottom of the panels but I will decide in the next few weeks. Your feedback is very welcome!

Below is a selection of works created by the other participants, ranging from collages, mixed media paintings and assemblage (= a work of art made by grouping together found or unrelated objects). Some wonderful works have been made and it really inspired me to create some new pieces for NEOS. Better get started now!
 
Dyed paper with found objects
by one of the participants
©Fenfolio2016
 
Triptych of collaged dyed paper with found objects
by one of the participants
©Fenfolio2016

Dyed paper with found objects by one of the participants
©Fenfolio2016

Cardboard painting by one of the participants ©Fenfolio2016

Small handmade books from dyed paper and other papers
by one of the participants ©Fenfolio2016


Cover of small handmade book made of dyed paper by one of the participants
©Fenfolio2016

Painting in wax, gloss paint and acrylics by one of the participants
©Fenfolio2016


Assemblage by one of the participants ©Fenfolio2016

Assemblage by one of the participants ©Fenfolio2016

Assemblage and collage by one of the participants
©Fenfolio2016
   
Mixed media drawing on an old door by one of the participants
©Fenfolio2016

Assemblage of found objects by one of the participants
©Fenfolio2016

Collection of assemblage by various participants
©Fenfolio2016

Installation of various dyed papers by one of the participants
©Fenfolio2016

Assemblage by one of the participants ©Fenfolio2016

Assemblage by one of the participants ©Fenfolio2016

Assemblage by one of the participants ©Fenfolio2016

Assemblage by one of the participants ©Fenfolio2016

Collage and mixed media
by one of the participants
©Fenfolio2016

Assemblage by one of the participants ©Fenfolio2016


Wednesday, 29 July 2015

Artistic Explorations: Monotype Printmaking (1)

As you know I have been printmaking since last year. Recently I signed up for the follow-up course at Grays School of Art which runs from October until March. When I saw a printmaking course advertised by Bridge House Art, owned by Eleanor White who I met a few years ago during another workshop, I realised I didn't want to wait that long!

Entrance of Bridge House Art ©Fenfolio2015

So from 13 until 17 July I travelled to Ullapool and learned all about monotype printing from printmaking artist Kittie Jones who was our tutor. The course was very well organised. They had given each of us (10 ladies in total) their own art box. Every day we started with a slideshow of work by various artists to give us an insight in their processes and inspire us. We then had a coffee break with freshly made cake and for lunch (mostly outside!) we had delicious homemade soup and salad. The use of the printing studio was also included and was a great space because it used to be a petrol station/garage!


Etching press in printmaking studio ©Fenfolio2015


Old etching press in printmaking studio ©Fenfolio2015


The studio is a converted petrol station ©Fenfolio2015

Vintage petrol station in front of studio ©Fenfolio2015


We were really lucky with the weather and it rained just one night only! Every morning I walked to the studio and back along the sea and river and enjoyed the wonderful views. Perfect to tune in for a creative day but also for winding down after a day of focussed work.


Great views during my morning walk ©Fenfolio2015
Ullapool ©Fenfolio2015

A lovely footpath along the river ©Fenfolio2015

On the first day we travelled to Rhue, North of Ullapool, for some sketching exercises en plein air such as blind contour drawing, continuous line drawing, gesture drawing and drawing from memory.

En plein air at Ardmair Bay ©Fenfolio2015

My office at Ardmair Bay ©Fenfolio2015


Sketch I made in charcoal and ink on concertina booklet ©Fenfolio2015

Close-up of sketch in charcoal and ink ©Fenfolio2015

Close-up of sketch in charcoal and ink ©Fenfolio2015


Unfinished sketches on back of concertina booklet ©Fenfolio2015

One of my gesture drawings ©Fenfolio2015

On the third day we travelled to Ardmair Bay for some colour exercises. Some how I really struggled with that. We were supposed to focus on large shape sand colours, but instead my attention was on every detail I saw in the landscape. In the end I was very frustrated (and I was not the only one) and destroyed my sketches and paintings. A glass of wine is then the only remedy to relax again!

The perfect remedy after a frustrating session ©Fenfolio2015

Kittie showed us the process of monotype printing with and without press and intaglio printmaking with a collagraph plate. Here she demonstrates how to make a hand burnished monotype print with a perspex plate, oil-based ink or oil paint, linseed oil, Zest-it, a brush and a cloth. This method gives a painterly effect and is very easy to do at home.

Kittie demonstrates application of paint onto perspex
©Fenfolio2015

Kittie demonstrates markmaking in paint
©Fenfolio2015

Kittie demonstrates pulling print and making adjustments
©Fenfolio2015

Guided by our sketches from the days before we started working. Here are a few of my monochrome prints.

Printed with oil-based ink and hand burnished from perspex
©Fenfolio2015

Printed with oil-based ink, chine collé and hand burnished
©Fenfolio2015

Collagraph print, run through press ©Fenfolio2015

Display of work from participants ©Fenfolio2015

After we finished our colour exercises outside we went to the studio for monotype printing with oil-based etching ink, rollers, masks/stencils, hand burnishing and etching press.


Inking table ©Fenfolio 2015

Hard at work in studio ©Fenfolio2015

Here are a few multi-layer monotype prints I created without the press.

Multi-layer monotype print, hand burnished ©Fenfolio 2015

Mult-layer monotype print, hand burnished ©Fenfolio 2015

And these are my multi-layer prints that have been run through the etching press. I also made some ghost prints (more transparent due to less ink) after I had run the first print (opaque ink). For both prints I then added a new layer in a different colour with new marks and different masks.

Mult-layer monotype print, run through press ©Fenfolio 2015

Multi-layer monotype ghost print, run through press ©Fenfolio 2015

Multi-layer monotype print, run through press ©Fenfolio 2015

Multi-layer monotype ghost print, run through press ©Fenfolio 2015

At the end of the week we were asked to set up a small exhibition in the workshop so that we could see everyone's work and get feedback from Kittie. It was quite overwhelming to see so many beautiful prints in different styles and hear the positive feedback from the expert!


I love the abstract style in Cath's work ©Fenfolio 2015

Beautiful colours and markmaking in Jennie's prints ©Fenfolio 2015

Attention to detail is Margaret's forte ©Fenfolio 2015

Julia's prints are captivating ©Fenfolio 2015

Hilary's style is very expressive ©Fenfolio2015

Painterly quality in Val's prints ©Fenfolio 2015

This print (hand burnished) created by Jane is my favourite of all!
©Fenfolio2015

After a very intense and fantastic creative week I was exhausted but also very inspired to continue experimenting with this medium in my own studio and at Peacock Visual Arts in Aberdeen. I might even have a few new prints ready for North East Open Studios which is coming soon now!